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Eskişehir Academy of Economic and Commercial Sciences, founded in 1958, formed the basis of Anadolu University. The Academy was replaced by Anadolu University in 1982, which has gained a well-deserved place as a modern, dynamic and innovative institution among the largest universities not only in Türkiye, but also in the world.
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Anadolu University Open Education Faculty plays an essential role in overcoming educational problems of Türkiye not only by providing open and distance education to 1 million active students and 4 million graduates but also by developing specific projects. Besides with those numbers, the system is among the mega universities of the world. By the constantly renewing method of open and distance education, it implements many initiatives and innovations in the Turkish Higher Education System.
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Kısa adıyla BAP (Bilimsel Araştırma Projeleri), yüksek öğretim kurumlarındaki bilimsel araştırmaların desteklenmesi amacıyla geliştirilmiş bir uygulamadır. Bu uygulama YÖK'ün 01.01.2002 tarihinden geçerli olmak üzere yürülüğe aldığı Yükseköğretim Kurumları Bilimsel Araştırma Projeleri Hakkında Yönetmelik uyarınca gerçekleştirilmektedir. Üniversitemizin tüm öğretim elemanları BAP Komisyonuna başvurarak bilimsel araştırmaları için kaynak alabilirler.
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At Anadolu University, social and cultural activities are as important as education and scientific research. The University frequently holds scientific events such as conferences, seminars, panels, congresses and symposia, and cultural activities such as exhibitions, stage performances and concerts. In addition to smaller conference halls in each unit, Atatürk Culture and Arts Center, Congress Center and Cinema Anadolu on Yunusemre Campus house many activities throughout the year.

ACTING IN CINEMA I

Content

Weeks	Topics
1. Weeks	Introduction and Basic Concepts Differences between cinema and theater acting, the place of the actor in cinema.
2. Weeks	Cinema Terminology I Basic concepts such as plan, sequence, mise-en-scene, frame, angle, scale.
3. Weeks	Cinema Terminology II Editing, continuity, blocking, camera-actor relationship, function of sound.
4. Weeks	A Short History of Acting Transition from theater to cinema, silent era acting.
5. Weeks	Acting in the Silent Cinema Period The importance of body language and gesture, sample movie: The Kid (Chaplin).
6. Weeks	Transition to Audio Cinema and Changing Acting Diction, natural speech, use of microphone, sample movie: Casablanca.
7. Weeks	Method Acting and Stanislavski Effect Improvisation, internalization of character, sample film: On the Waterfront.
8. Weeks	Acting in Front of the Camera and Techniques Body control, gaze, posture, inner preparation in front of the camera.
9. Weeks	Acting Approaches in European Cinema Italian New Realism, French New Wave, sample film: Bicycle Thieves.
10. Weeks	Cinema Acting in Turkey Theater-based actors, the transformation of acting from Yeşilçam to today.
11. Weeks	Contemporary Acting Techniques and On-Camera Practices Casting, self-tape, improvisational scenes and practical exercises.
12. Weeks	Using Body and Space in Acting Positioning of the body in the mise-en-scene, the relationship established with space.
13. Weeks	Actor Director - Director Actor Director's relationship with the actor, sample directors: Bergman, Ceylan.
14. Weeks	Final Presentation and Film Analysis Acting analysis of a selected scene, student presentations and evaluation.