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Eskişehir Academy of Economic and Commercial Sciences, founded in 1958, formed the basis of Anadolu University. The Academy was replaced by Anadolu University in 1982, which has gained a well-deserved place as a modern, dynamic and innovative institution among the largest universities not only in Türkiye, but also in the world.
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Anadolu University Open Education Faculty plays an essential role in overcoming educational problems of Türkiye not only by providing open and distance education to 1 million active students and 4 million graduates but also by developing specific projects. Besides with those numbers, the system is among the mega universities of the world. By the constantly renewing method of open and distance education, it implements many initiatives and innovations in the Turkish Higher Education System.
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Kısa adıyla BAP (Bilimsel Araştırma Projeleri), yüksek öğretim kurumlarındaki bilimsel araştırmaların desteklenmesi amacıyla geliştirilmiş bir uygulamadır. Bu uygulama YÖK'ün 01.01.2002 tarihinden geçerli olmak üzere yürülüğe aldığı Yükseköğretim Kurumları Bilimsel Araştırma Projeleri Hakkında Yönetmelik uyarınca gerçekleştirilmektedir. Üniversitemizin tüm öğretim elemanları BAP Komisyonuna başvurarak bilimsel araştırmaları için kaynak alabilirler.
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At Anadolu University, social and cultural activities are as important as education and scientific research. The University frequently holds scientific events such as conferences, seminars, panels, congresses and symposia, and cultural activities such as exhibitions, stage performances and concerts. In addition to smaller conference halls in each unit, Atatürk Culture and Arts Center, Congress Center and Cinema Anadolu on Yunusemre Campus house many activities throughout the year.

ARTISTIC COMMUNICATION AND ART MARKETING

Content

Weeks	Topics
1. Weeks	The concepts of market and communication in the context of art The fundamental dynamics of the art market
2. Weeks	Capitalism and the market The commodification of art
3. Weeks	The problem of the market in relation to the authenticity of art
4. Weeks	The establishment of the Fine Arts in the eighteenth century The first modernization of art
5. Weeks	The French Salons and the emergence of modern exhibition practices
6. Weeks	Nineteenth-century art movements The modernization of art institutions
7. Weeks	Manet and Courbet The conflict between artists and art institutions
8. Weeks	The emergence of the gallery in the twentieth century I
9. Weeks	The emergence of the gallery in the twentieth century II
10. Weeks	Avant-garde art movements The rejection of art institutions
11. Weeks	The figure of the avant-garde artist Institutional critique
12. Weeks	Post-1950 art The deconstruction of the gallery Minimalism and the exhibition space
13. Weeks	Globalisation, Art and Communication: New Marketing concepts Brian O'Doherty, Inside the White Cube: Critical reading I
14. Weeks	Brian O'Doherty, Inside the White Cube: Critical reading II The contemporary art market and institutional critique